Carrie Underwood Fans

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Carrie Underwood 6 - Cry Pretty Era

txacar

Well-known member
I didn't see that, but hey, if he wants a plaque, I say give him one lol. I love that he is still promoting Carrie and their collaboration!

He co-wrote a song on the album so deserves one. I remember articles and pictures of Ashley Monroe with her plaque when CR went platinum. She was so thrilled that Flat on the Floor was on the album.
 

Farawayhills

Well-known member
He co-wrote a song on the album so deserves one. I remember articles and pictures of Ashley Monroe with her plaque when CR went platinum. She was so thrilled that Flat on the Floor was on the album.

She was so thrilled that she led me to look into Carrie!
 

Farawayhills

Well-known member
Carrie's first two albums weren't released in the UK until later.
If you remember the old My Space days, Ashley was one of the people raving about Carrie. Carrie had a personal site, but it was closed by password (I think I could guess the password now, but couldn't then). Ashley recommended one called the Unofficial Ace Underwood Fan Club. I knew her version of the song before I checked out Carrie's.
(Those were happy days! I still miss My Space, once the top social media site. it was the best for finding artists, some of whom would get into conversations. It still exists, but has changed beyond all recognition)
 

txacar

Well-known member
Carrie's first two albums weren't released in the UK until later.
If you remember the old My Space days, Ashley was one of the people raving about Carrie. Carrie had a personal site, but it was closed by password (I think I could guess the password now, but couldn't then). Ashley recommended one called the Unofficial Ace Underwood Fan Club. I knew her version of the song before I checked out Carrie's.
(Those were happy days! I still miss My Space, once the top social media site. it was the best for finding artists, some of whom would get into conversations. It still exists, but has changed beyond all recognition)

I remember My Space was very popular and everybody wanted to be there. We were on the old CMT Board at that time and I was new to the internet so rarely ventured beyond CMT for Carrie info. I do remember being so impressed with Ashley, saw her interviewed on several old shows on GAC, and really liked the song she did with Ronnie Dunn. I still watch the video occasionally. Love her voice. Such a talented songwriter, too. I'm happy she got her plaque and for her success with Pistol Annies.
 

heymc

Member
Here's the worldwide Spotify stats for Cry Pretty.

GOTS, Low, The Bullet and Kingdom are the least streamed songs from the album, approximately 3-3.5M each. It really indicates that these songs are not really what listeners want to hear. EUWY should've been the fourth single over DA.

Cry Pretty 37,647,476
Ghosts On The Stereo 3,533,159
Low 3,073,412
Backsliding 5,674,643
Southbound 25,484,757
That Song That We Used To Make Love To 7,545,396
Drinking Alone 7,006,237
The Bullet 3,042,145
Spinning Bottles 4,053,514
Love Wins 24,650,887
End Up With You 13,798,565
Kingdom 3,089,777
The Champion - Bonus Track 50,052,447
 

BlownAway14

Member
Here's the worldwide Spotify stats for Cry Pretty.

GOTS, Low, The Bullet and Kingdom are the least streamed songs from the album, approximately 3-3.5M each. It really indicates that these songs are not really what listeners want to hear. EUWY should've been the fourth single over DA.

Cry Pretty 37,647,476
Ghosts On The Stereo 3,533,159
Low 3,073,412
Backsliding 5,674,643
Southbound 25,484,757
That Song That We Used To Make Love To 7,545,396
Drinking Alone 7,006,237
The Bullet 3,042,145
Spinning Bottles 4,053,514
Love Wins 24,650,887
End Up With You 13,798,565
Kingdom 3,089,777
The Champion - Bonus Track 50,052,447

Do you know the WW stats for Storyteller?
 

heymc

Member
Austin shared these stats in Carrie's thread on pulse.

https://pulsemusic.proboards.com/thread/169468/carrie-underwood-pretty-find-path?page=129


Some Hearts
Wasted 16,210,424
Don't Forget to Remember Me 12,511,193
Some Hearts 4,985,184
Jesus, Take the Wheel 46,215,159
The Night Before (Life Goes On) 2,893,772
Lessons Learned 3,988,562
Before He Cheats 164,421,687
Starts with Goodbye 7,771,541
I Just Can't Live a Lie 3,285,473
We're Young and Beautiful 2,446,268
That's Where It Is 2,114,278
Whenever You Remember 3,689,021
I Ain't In Checotah Anymore 2,547,263
Inside Your Heaven 2,702,661


Carnival Ride
Flat On The Floor 3,329,683
All-American Girl 35,298,109
So Small 14,963,545
Just A Dream 24,842,314
Get Out Of This Town 2,578,203
Crazy Dreams 1,783,045
I Know You Won't 2,678,597
Last Name 21,767,360
You Won't Find This 2,780,892
I Told You So 16,677,071
The More Boys I Meet 2,889,649
Twisted 1,609,319
Wheel Of The World 1,315,325
Hark! The Herald Angels Sing 3,918,702
The First Noel 58,917
What Child Is This? 32,672
Do You Hear What I Hear 4,918,841
O Holy Night 23,560


Play On
Cowboy Casanova 38,448,122
Quitter 2,168,444
Mama's Song 16,919,849
Change 3,310,373
Undo It 25,179,598
Someday When I Stop Loving You 5,850,505
Songs Like This 4,123,526
Temporary Home 20,822,527
This Time 1,880,370
Look at Me 10,088,629
Unapologize 2,267,494
What Can I Say 4,389,294
Play On 1,815,369


Blown Away
Good Girl 49,103,235
Blown Away 81,772,482
Two Black Cadillacs 39,047,895
See You Again 29,512,237
Do You Think About Me 7,838,611
Forever Changed 4,348,830
Nobody Ever Told You 3,975,245
One Way Ticket 2,893,305
Thank God For Hometowns 4,053,313
Good In Goodbye 7,474,379
Leave Love Alone 2,762,558
Cupid's Got a Shotgun 4,705,177
Wine After Whiskey 4,933,389
Who Are You 2,659,837


Greatest Hits: Decade #1
Something in the Water 55,137,035
Little Toy Guns 33,591,327
Inside Your Heaven 4,770,556
Jesus, Take the Wheel 46,215,159
Don't Forget to Remember Me 12,511,193
Before He Cheats 164,421,687
Wasted 16,210,424
So Small 14,963,545
All-American Girl 35,298,109
Last Name 21,767,360
Just a Dream 24,842,314
I Told You So - feat. Randy Travis 16,677,071
Cowboy Casanova 38,448,122
Temporary Home 20,822,527
Undo It 25,179,598
Mama's Song 16,919,849
Remind Me - duet with Brad Paisley 6,915,100
Good Girl 49,103,235
Blown Away 81,772,482
Two Black Cadillacs 39,047,895
See You Again 29,512,237
How Great Thou Art (with Vince Gill) - Live from ACM Presents: Girls' Night Out 9,380,703
So Small (writing session worktape 1/24/07) 1,240,114
Last Name (writing session worktape 1/22/07) 1,040,333
Mama's Song (writing session worktape 2/5/09) 1,141,618


Storyteller
Renegade Runaway 11,052,104
Dirty Laundry 36,835,705
Church Bells 78,175,104
Heartbeat 48,539,130
Smoke Break 32,175,523
Choctaw County Affair 8,138,799
Like I'll Never Love You Again 6,096,661
Chaser 6,201,239
Relapse 7,899,287
Clock Don't Stop 5,925,774
The Girl You Think I Am 8,253,476
Mexico 5,180,583
What I Never Knew I Always Wanted 8,223,276


Cry Pretty
Cry Pretty 37,647,476
Ghosts On The Stereo 3,533,159
Low 3,073,412
Backsliding 5,674,643
Southbound 25,484,757
That Song That We Used To Make Love To 7,545,396
Drinking Alone 7,006,237
The Bullet 3,042,145
Spinning Bottles 4,053,514
Love Wins 24,650,887
End Up With You 13,798,565
Kingdom 3,089,777
The Champion - Bonus Track 50,052,447
 

adam1995

Well-known member
Here's the worldwide Spotify stats for Cry Pretty.

GOTS, Low, The Bullet and Kingdom are the least streamed songs from the album, approximately 3-3.5M each. It really indicates that these songs are not really what listeners want to hear. EUWY should've been the fourth single over DA.

Cry Pretty 37,647,476
Ghosts On The Stereo 3,533,159
Low 3,073,412
Backsliding 5,674,643
Southbound 25,484,757
That Song That We Used To Make Love To 7,545,396
Drinking Alone 7,006,237
The Bullet 3,042,145
Spinning Bottles 4,053,514
Love Wins 24,650,887
End Up With You 13,798,565
Kingdom 3,089,777
The Champion - Bonus Track 50,052,447

EUWY was a promo single, so it's numbers are inflated because of that. I don't think it should have been a single. And "Low" remains the best song on the album, and people have no taste, lol.
 

Farawayhills

Well-known member
I see the validity of judging song output mainly by general popularity figures (streaming, sales, chart performance, etc). It's a perspective that strikes a chord with many fans, and I would say, is not a perspective that a Mainstream artist could ever ignore. But, for all that, I see it as only part of the overall picture. Songs are also important in an artist's career and repertoire for their artistic value, judged in terms of their music, their innovative experimentation and the contribution they make to the genre the artist identifies with. An artist who hopes to achieve longevity and overall standing in the genre and its overall evolution over time needs to give weight to both perspectives.

This can be done with varied albums - but singles tend to be what are most performed, most noticed and most remembered. For that reason I would applaud an artist who is prepared to take a degree of greater commercial risk with some of the ones she releases as singles.

In Carrie's case, I think her career can be interpreted as one which has always mingled strong commercial success with a willingness to push boundaries, step outside the predictable, acknowledge the traditions of the genre, and produce work that takes the genre forward without losing its identity. It's that that attracts me to her work - and makes her one of the relatively few current chart artists that I do follow.
I think she is likely to continue looking both for songs that she believes will have strong public and fan approval, and for songs that she regards as important to her for a variety of other reasons. The two are not, of course, incompatible - but I don't see her as an artist who will always pick her singles just on the basis of a slide-rule of actual or expected popularity.

I think she took a risk this era with CP, and is taking one again with DA. I'm proud that she did

Of the songs mentioned, I would tend to discount the Kingdom as a single (not because I don't like it, but because it's a highly personal song, and the effective album closer - which she has a tradition of not picking as a single. )

GOTS and Low are both important songs in my opinion, because they help to fix Carrie's status as a major figure in the Country genre, not just in this era, but in the overall evolution of the genre from its earlier roots, through the whole course of the time she's been performing, and into the contemporary scene. The Bullet and Spinning Bottles are in my opinion, bold and thoughtful issue songs, of real contemporary significance. All four of these may indeed have gained fewer spins or streams than some of the others - but I certainly think all four do more for Carrie's thematic range and overall standing as an artist than some of the others.. Obviously, not all would ever have been singles - but, with the caveat that any reaction is going to be personal. I do wish one single at least had been picked from that group of four.
 

Carrieroxmysox2011

Active member
I see the validity of judging song output mainly by general popularity figures (streaming, sales, chart performance, etc). It's a perspective that strikes a chord with many fans, and I would say, is not a perspective that a Mainstream artist could ever ignore. But, for all that, I see it as only part of the overall picture. Songs are also important in an artist's career and repertoire for their artistic value, judged in terms of their music, their innovative experimentation and the contribution they make to the genre the artist identifies with. An artist who hopes to achieve longevity and overall standing in the genre and its overall evolution over time needs to give weight to both perspectives.

This can be done with varied albums - but singles tend to be what are most performed, most noticed and most remembered. For that reason I would applaud an artist who is prepared to take a degree of greater commercial risk with some of the ones she releases as singles.

In Carrie's case, I think her career can be interpreted as one which has always mingled strong commercial success with a willingness to push boundaries, step outside the predictable, acknowledge the traditions of the genre, and produce work that takes the genre forward without losing its identity. It's that that attracts me to her work - and makes her one of the relatively few current chart artists that I do follow.
I think she is likely to continue looking both for songs that she believes will have strong public and fan approval, and for songs that she regards as important to her for a variety of other reasons. The two are not, of course, incompatible - but I don't see her as an artist who will always pick her singles just on the basis of a slide-rule of actual or expected popularity.

I think she took a risk this era with CP, and is taking one again with DA. I'm proud that she did

Of the songs mentioned, I would tend to discount the Kingdom as a single (not because I don't like it, but because it's a highly personal song, and the effective album closer - which she has a tradition of not picking as a single. )

GOTS and Low are both important songs in my opinion, because they help to fix Carrie's status as a major figure in the Country genre, not just in this era, but in the overall evolution of the genre from its earlier roots, through the whole course of the time she's been performing, and into the contemporary scene. The Bullet and Spinning Bottles are in my opinion, bold and thoughtful issue songs, of real contemporary significance. All four of these may indeed have gained fewer spins or streams than some of the others - but I certainly think all four do more for Carrie's thematic range and overall standing as an artist than some of the others.. Obviously, not all would ever have been singles - but, with the caveat that any reaction is going to be personal. I do wish one single at least had been picked from that group of four.

Great post!
 

rcramer

Well-known member
EUWY was a promo single, so it's numbers are inflated because of that. I don't think it should have been a single. And "Low" remains the best song on the album, and people have no taste, lol.


This... Low is a masterpiece IMO, on par with IKYW.......
 

rcramer

Well-known member
^^^^ I agree... I was meaning more on the vocals in both....... IKYW took my breath away and made my hair stand on end....
 
95f9897bdcaadc4b69b788aeb6879c21.jpg

20d07685c4b34801b67d0ad47175f46d.jpg



Saw these on Reddit. The guy said it’s from a song that hasn’t been released yet. I wonder if that means CP era is over?


Sent from my iPhone using Tapatalk
 

adam1995

Well-known member
95f9897bdcaadc4b69b788aeb6879c21.jpg

20d07685c4b34801b67d0ad47175f46d.jpg



Saw these on Reddit. The guy said it’s from a song that hasn’t been released yet. I wonder if that means CP era is over?


Sent from my iPhone using Tapatalk

Once DA peaks, I think it's a certainty that the era is over. Are we certain this is her? Looks like her, but how reliable is this, is my question?
 
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