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Cry Pretty Album Reviews
- Thread starter Kizmet311
- Start date
AngeloUnderwood
Member
Seems more like a 60 to me, but we'll see
haven't read the reviews but if this is considered a good one I think I'll pass on reading them and just enjoy the cd
teesharky
Well-known member
^ Actually this was a good review Donna. Lol there is always a little snark in every review but this one should get st least a 70.
All Music Guide Washington Post EW Time and NY Daily News were stellar review though- so maybe you should read those first. Lol. Do not read LA times or The Guardian. Lol
All Music Guide Washington Post EW Time and NY Daily News were stellar review though- so maybe you should read those first. Lol. Do not read LA times or The Guardian. Lol
twaintrain
Well-known member
Somewhere on here someone mentioned Grady Smith’s Tweet about “why can’t Carrie ever get it completely right?”, or something close to that. Just wanted to mention he later Tweeted that the reason he said that was because he was expecting this album to be about her life. He said once he realized that wasn’t going to be the case, upon repeat listening, he enjoyed it much more. I think he may do a video later but said he was leaving and couldn’t at the moment.
teesharky
Well-known member
I mixed up News Day with NY Daily News or something., lol. But it’s posted on this thread and it’s good.
FanSince04
Well-known member
Let’s get back on topic now. I come here to read about reviews, not eveybody’s reviews about a reviewer. I understand he reviewed Carrie and some of us disagree (fine, we can do that), and others think he didn’t do anything wrong (fine, we can do that). I’d ask that the bantering back and forth goes to the PM’s... I’m not a moderator, but I am pretty certain they’d agree with me.
We do. Stay on topic of the reviews themselves not the reviewers
Smokyiiis
Well-known member
[h=1]https://gulfnews.com/life-style/music/carrie-underwood-s-cry-pretty-album-review-1.2278969
Carrie Underwood’s ‘Cry Pretty’ album review[/h]Singer showcases new parts of her multi-faceted voice
For the first time in her career, Carrie Underwood took over co-producing duties on her new album, Cry Pretty, and co-wrote nine of the 13 tracks. But does it make the collection more personal?
Underwood’s career under the spotlight started with American Idol, and she’s a spectacular natural singer with a great ear for songs. But after an injury to her face last autumn, she hid from the public for months as the tabloids circled.
Ultimately, she returned this year looking about the same as before and announced this summer she’s pregnant with her second child. Now her personal life has become a bit more front and centre than before. She’s always sung with authentic emotion and drama, but she was more skilled at interpreting the song than revealing much about herself.
Cry Pretty is not the confessional record that her country peers have done really well, as evidenced from the title track that notes she’s “not usually the kind to show my heart to the world.” But she’s pushing herself in new musical directions, teasing out parts of her multi-faceted voice with rhythm and tempo that feels like you’re hearing her anew.
Working with producer David Garcia, who co-wrote the pop country crossover collab Meant to Be by Bebe Rexha and Florida Georgia Line, Underwood adds R’n’B, pop and dance rhythms to songs like Backsliding and End Up With You. On Low, she slinks into a bluesy country groove that sounds like a perfect vehicle for a duet between Underwood and Chris Stapleton.
However, the county ballad, The Bullet feels empty with lyrics such as, “You can blame it on hate, or blame it on guns, but mommas ain’t supposed to bury their sons.” Love Wins is in a similar vein, delivering somewhat vague messages of hope, unity and love for all, but the building music makes better use of her soaring, arena-sized vocals.
She ends the album with what is likely the closest we’re going to see of “real Carrie” on Kingdom, where she sings about scampering children and the highs and lows of a family that’s “perfectly imperfect.” The song seems more revealing than the others, especially because it touches on her strong Christian faith.
It also shows that she can be relatable when she lets her guard down.
Carrie Underwood’s ‘Cry Pretty’ album review[/h]Singer showcases new parts of her multi-faceted voice
For the first time in her career, Carrie Underwood took over co-producing duties on her new album, Cry Pretty, and co-wrote nine of the 13 tracks. But does it make the collection more personal?
Underwood’s career under the spotlight started with American Idol, and she’s a spectacular natural singer with a great ear for songs. But after an injury to her face last autumn, she hid from the public for months as the tabloids circled.
Ultimately, she returned this year looking about the same as before and announced this summer she’s pregnant with her second child. Now her personal life has become a bit more front and centre than before. She’s always sung with authentic emotion and drama, but she was more skilled at interpreting the song than revealing much about herself.
Cry Pretty is not the confessional record that her country peers have done really well, as evidenced from the title track that notes she’s “not usually the kind to show my heart to the world.” But she’s pushing herself in new musical directions, teasing out parts of her multi-faceted voice with rhythm and tempo that feels like you’re hearing her anew.
Working with producer David Garcia, who co-wrote the pop country crossover collab Meant to Be by Bebe Rexha and Florida Georgia Line, Underwood adds R’n’B, pop and dance rhythms to songs like Backsliding and End Up With You. On Low, she slinks into a bluesy country groove that sounds like a perfect vehicle for a duet between Underwood and Chris Stapleton.
However, the county ballad, The Bullet feels empty with lyrics such as, “You can blame it on hate, or blame it on guns, but mommas ain’t supposed to bury their sons.” Love Wins is in a similar vein, delivering somewhat vague messages of hope, unity and love for all, but the building music makes better use of her soaring, arena-sized vocals.
She ends the album with what is likely the closest we’re going to see of “real Carrie” on Kingdom, where she sings about scampering children and the highs and lows of a family that’s “perfectly imperfect.” The song seems more revealing than the others, especially because it touches on her strong Christian faith.
It also shows that she can be relatable when she lets her guard down.
Smokyiiis
Well-known member
[h=1]Album Review: Carrie Underwood’s ‘Cry Pretty’ touches on current issues without crossing lines[/h]
Carrie Underwood’s latest release Cry Pretty is her way of taking a subtle risk and standing up for what she believes in without causing too much controversy.
Artists today have the challenge of making music that reflects on today’s issues without discriminating against other views. We live in a world where we have the freedom to speak, dress, and mostly do what we want, but there are many diverse people with diverse beliefs. The ultimate goal is to express one’s own views without insulting others. Society has to be open-minded and accepting, it has to listen to others and even as people form their own opinions they must remain tolerant of people and what they believe in.
Music can send a message and be an outlet for people who are struggling to have something positive to relate to. Carrie Underwood has always been a positive role model for young girls, and lately it seems that promiscuous acts from singers such as Cardi B and Nicki Minaj have put a dent in young girls’ perspective.
Girls today feel as though they have to grow up so fast, and Underwood is a refreshing reminder of innocence and strength. A powerful force to be reckoned with, Underwood sheds light on gun violence with her track “The Bullet,” as well as people coming together in times of division on “Love Wins.”
Underwood makes a subtle political stance on these two tracks without crossing any lines. Instead, she spoke up for working towards a peaceful world and a better tomorrow.
Anytime an artist uses their influences to change the focus from negative to positive, they’re making a difference. Even if the message only reaches one person, one person has the power to make great change. Big changes start in small ways. Regular people can affect change on small platforms but that change doesn’t always stay small. With someone such as Carrie Underwood, their platform allows for that change to evolve into something bigger and reach many people.
Cry Pretty is not only a breakthrough for fans but also for Underwood herself. She stepped out of her comfort zone to produce tracks that have meaning and have the power to affect, change and cultivate all minds. Compared to recent music, Underwood’s latest release is fresh and promotes empowerment, and listening to it is a way for fans to positively reflect on today’s topics and problem.
https://www.thepostathens.com/article/2018/09/album-review-carrie-underwood-cry-pretty
Carrie Underwood’s latest release Cry Pretty is her way of taking a subtle risk and standing up for what she believes in without causing too much controversy.
Artists today have the challenge of making music that reflects on today’s issues without discriminating against other views. We live in a world where we have the freedom to speak, dress, and mostly do what we want, but there are many diverse people with diverse beliefs. The ultimate goal is to express one’s own views without insulting others. Society has to be open-minded and accepting, it has to listen to others and even as people form their own opinions they must remain tolerant of people and what they believe in.
Music can send a message and be an outlet for people who are struggling to have something positive to relate to. Carrie Underwood has always been a positive role model for young girls, and lately it seems that promiscuous acts from singers such as Cardi B and Nicki Minaj have put a dent in young girls’ perspective.
Girls today feel as though they have to grow up so fast, and Underwood is a refreshing reminder of innocence and strength. A powerful force to be reckoned with, Underwood sheds light on gun violence with her track “The Bullet,” as well as people coming together in times of division on “Love Wins.”
Underwood makes a subtle political stance on these two tracks without crossing any lines. Instead, she spoke up for working towards a peaceful world and a better tomorrow.
Anytime an artist uses their influences to change the focus from negative to positive, they’re making a difference. Even if the message only reaches one person, one person has the power to make great change. Big changes start in small ways. Regular people can affect change on small platforms but that change doesn’t always stay small. With someone such as Carrie Underwood, their platform allows for that change to evolve into something bigger and reach many people.
Cry Pretty is not only a breakthrough for fans but also for Underwood herself. She stepped out of her comfort zone to produce tracks that have meaning and have the power to affect, change and cultivate all minds. Compared to recent music, Underwood’s latest release is fresh and promotes empowerment, and listening to it is a way for fans to positively reflect on today’s topics and problem.
https://www.thepostathens.com/article/2018/09/album-review-carrie-underwood-cry-pretty
FanSince04
Well-known member
While I agree with the last two most previous reviews for the most part, it still rubs me the wrong way when reviews claim her record is personal enough... personal is very subjective. I’m glad they highlight her vocal abilities and how fresh/new this record sounds!
Kizmet311
Active member
Agree that it is getting beyond tiring to see the same two complaints in reviews - not personal enough and not political enough. CP is an amazing album, with a lot of heartfelt emotion. I think it was on the CMT Hot 20 this weekend that Carrie mentioned singing a lot of songs in the first person, which she hasn't tended to do in the past. I think TB, and Spinning Bottles might be the only real story songs that aren't sung in first person. So even if the album isn't autobiographical in every song, it is a more "personal" album that people can take and apply to their own situations.
DaisyTweets
Active member
I think the reviewers just recycle old reviews. Changing the song titles to go with the new cd but otherwise just spewing the same ole same ole!!!!
[h=1]https://gulfnews.com/life-style/music/carrie-underwood-s-cry-pretty-album-review-1.2278969
Carrie Underwood’s ‘Cry Pretty’ album review[/h]Singer showcases new parts of her multi-faceted voice
For the first time in her career, Carrie Underwood took over co-producing duties on her new album, Cry Pretty, and co-wrote nine of the 13 tracks. But does it make the collection more personal?
Underwood’s career under the spotlight started with American Idol, and she’s a spectacular natural singer with a great ear for songs. But after an injury to her face last autumn, she hid from the public for months as the tabloids circled.
Ultimately, she returned this year looking about the same as before and announced this summer she’s pregnant with her second child. Now her personal life has become a bit more front and centre than before. She’s always sung with authentic emotion and drama, but she was more skilled at interpreting the song than revealing much about herself.
Cry Pretty is not the confessional record that her country peers have done really well, as evidenced from the title track that notes she’s “not usually the kind to show my heart to the world.” But she’s pushing herself in new musical directions, teasing out parts of her multi-faceted voice with rhythm and tempo that feels like you’re hearing her anew.
Working with producer David Garcia, who co-wrote the pop country crossover collab Meant to Be by Bebe Rexha and Florida Georgia Line, Underwood adds R’n’B, pop and dance rhythms to songs like Backsliding and End Up With You. On Low, she slinks into a bluesy country groove that sounds like a perfect vehicle for a duet between Underwood and Chris Stapleton.
However, the county ballad, The Bullet feels empty with lyrics such as, “You can blame it on hate, or blame it on guns, but mommas ain’t supposed to bury their sons.” Love Wins is in a similar vein, delivering somewhat vague messages of hope, unity and love for all, but the building music makes better use of her soaring, arena-sized vocals.
She ends the album with what is likely the closest we’re going to see of “real Carrie” on Kingdom, where she sings about scampering children and the highs and lows of a family that’s “perfectly imperfect.” The song seems more revealing than the others, especially because it touches on her strong Christian faith.
It also shows that she can be relatable when she lets her guard down.
Wow! Carrie is reaching Arab States of the Persian Gulf. Awesome.
DaisyTweets
Active member
It doesn't have to be!!! That's so ridiculous. Do they, did they say this about the endless batch of bro country albums???? Of course, maybe its political to sing about booze and women in cutoffs and dancing and whatever else they sing about. Of course the bro boys don't really sing -- or they sing VERY badly!!!