Schrodinger
New member
We are venting right now, but's to the choir. Let's post all the articles, blogs, tweets that think BB is full of ****. Especially anyone inside Nashville.
^I'm looking forward to what Jessica has to say as she is usually pretty honest about what she thinks. Plus, I hope she has other industry insiders on the panel, as that typically is the case with the other panels I've seen from her.
I still don't think there's any useful mileage in approaching this as a Carrie versus Taylor issue. As Shrodinger says - that's venting to the choir. Few people outside specific fan bases are going to worry unduly about whether artist X overtakes artist Y. or see that as a reason for opposing a change in the chart structure.
So far, the only strong point of criticism that I've seen is that radio play in non-Country formats is going to be used to add to one of the Country chart calculations. That is a serious point - because it benefits artists and song styles with appeal, or strong promortion in other sectors, to the potential disadvantage of those who focus more directly on Country - either stylistically, or in terms of their promotion. To take potential examples - it could deter artists from concentrating on venues like the Opry (which have littlre awareness or resonance outside the sector); it could convince them to use more non-Country songwriters like Max Martin; it could encourage them to choose more Pop figures to duet or appear with; it could persuade them to play down the "twang" factor (fiddles, banjos, steel) in their music.
All those are worth discussing - and there must be other similar points. But I can't see how repeated tweets about it all being "love for Taylor" is going to convince many outsiders that it's anything but partisan rivalry.
I still don't think there's any useful mileage in approaching this as a Carrie versus Taylor issue. As Shrodinger says - that's venting to the choir. Few people outside specific fan bases are going to worry unduly about whether artist X overtakes artist Y. or see that as a reason for opposing a change in the chart structure.
So far, the only strong point of criticism that I've seen is that radio play in non-Country formats is going to be used to add to one of the Country chart calculations. That is a serious point - because it benefits artists and song styles with appeal, or strong promortion in other sectors, to the potential disadvantage of those who focus more directly on Country - either stylistically, or in terms of their promotion. To take potential examples - it could deter artists from concentrating on venues like the Opry (which have littlre awareness or resonance outside the sector); it could convince them to use more non-Country songwriters like Max Martin; it could encourage them to choose more Pop figures to duet or appear with; it could persuade them to play down the "twang" factor (fiddles, banjos, steel) in their music.
All those are worth discussing - and there must be other similar points. But I can't see how repeated tweets about it all being "love for Taylor" is going to convince many outsiders that it's anything but partisan rivalry.
Will this drive more artists to go for remixing to achieve crossover success? Seems like the only way you can chart high in this new BB method is to crossover.