Farawayhills
Well-known member
CU4Ever, said they believed it would be a smash.
I'm keeping my expectations in check, which I think a lot more people should do, it's what caused a lot of disappointment with the LW chart run. Times are a changing on the radio.
While I agree that we need to keep expectations in check, I also think some of the evidence that times are a changing (at least a little) on the radio could be positive. Momin has posted evidence that there appears to be some growing willingness to play an increased variety of women artists in the top 40. (I know it's limited, and I'd be among the first to say it's not enough - but it is a start). In the higher reaches there is also some general evidence that Bro Country has passed it's peak, and there is more stylistic and thematic risk being taken. Jason Aldean had a recent number one with the neo-traditional influenced "Drowns the Whiskey"; Blake Shelton has released "God's Country", which he has called a tribute to Oklahoma, which everyone can interpret in their own way, and which includes Blues and Rock influence in the music, and is arguably closer to his more rootsty early work; Thomas Rhett has released a song which, while still seeming to me a rather Bro-ish relationship song, includes some more interesting touches in the music (possibly reflecting the fact that his father was involved in the writing).
If Carrie releases one of the deeper and more musically adventurous songs that many of us want, she wouldn't be entirely alone - and while, of course, no one can guarantee a smash, it should help broaden her reputation. The first point (no guarantees) would also apply to a good-time party song (which may be a fading trend) - but I don't think that would do so much for her artistic reputation (something the Cry Pretty era really deserves to receive full credit)