Thanks so much for those videos, Donna! I really enjoyed the first three - they are among the most ambitious and complex songs that I think she's had in her repertoire so far, and are a good illustration of where she was going, in terms of innovation, on this album. The first two are Carrie-written, and although the third isn't, she opted for a pretty demanding arrangement in her production. Those three involve considerable nuances and changes of expression in the vocal, and I think Carrie shows a truly impressive versatility there, as a mood singer. Even with reduced musical arrangements, she delivers a lot of the complexity in the songs with her command of the microphone.
K depends on a strong build up of increasing layers of intensity, and TSTWUTMLT makes clever use of passages of warbling harmony between the voice and the music, and both of those were well handled. My favourite, though, was SpBo, with the feeling of desperation she conveys. I thought Scott Sheriff did a good job here on keys, and the string part was also good (I couldn't see who was playing - was it Sydni?). I think all three of those songs deserve to be heard more often.
(I'm really trying with SoBo - but it's just not my kind of song, so I'll leave that to others, lol)